Museums | Restoration and Conservation

Museum of Contemporary Art GES-2

PROJECT DETAILS

City
Moscow
Country
Russia
Customer
V-A-C Foundation
Architectural design
RPBW Renzo Piano Building Workshop
Period
2016 - 2020
Amount of works
36.000.000 €
Services Provided
Structure Design | BIM
Sector
Museums | Restoration and Conservation
Dimensions
20.000 m2
Construction technique
Metal carpentry

A new house of culture

Moscow's oldest thermoelectric power plant, built by the Tsars in 1907 and decommissioned in the early 2000s, is transformed into a Museum of Contemporary Art, based on a project by Arch. Renzo Piano for the V.A.C. Foundation. The result is a new cultural and exhibition center, a gathering place open to the public and intended for artistic activities. An intervention that opted for the preservation of the original steel structures and the conversion of the iconic chimneys into sources for the building's ventilation.

A new house of culture

Moscow's oldest thermoelectric power plant, built by the Tsars in 1907 and decommissioned in the early 2000s, is transformed into a Museum of Contemporary Art, based on a project by Arch. Renzo Piano for the V.A.C. Foundation. The result is a new cultural and exhibition center, a gathering place open to the public and intended for artistic activities. An intervention that opted for the preservation of the original steel structures and the conversion of the iconic chimneys into sources for the building's ventilation.

Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow

From thermal power plant to cultural hub

The urban context, in the heart of Moscow, is that of the bustling district known today as Krasny Oktyabr, 'Red October,' on the island created by the division between the Moskva River and the Vodootvodny Canal. An area with a strong cultural and multigenerational character where there is also a former chocolate factory that has become a center of innovation for start-ups, cafes and restaurants, the Strelka Institute-an urban laboratory offering an educational and research program-and the Udarnik Theater, an important example of Russian architecture. In this area, not far from the Kremlin, the tsars had a thermoelectric power plant built in 1907: a building that has now become the main headquarters of the V.A.C. Foundation following the transformation work overseen by arch. Renzo Piano. Conceived as a multidisciplinary space for visual and performing arts as well as a free civic space, GES-2 now offers 20,000 m² of space organized into four main hubs.

The civic hub, open to the outer plaza and from which there is free access to the inner plaza, the functional center of the building that connects to the north with the library and media center and to the south with the art installation spaces and restaurant; the reception hub, in the center of the main building, which houses the ticket office, info point and bookshop, connected to the show and performance spaces on the upper floor, overlooking the birch forest created outside; the exhibition center, a combination of spaces of different sizes and heights, offering a variety of solutions to accommodate any kind of work; the educational hub, which offers a look at exhibitions and includes the School of Art, dedicated to training a new generation of curators, critics and art historians, and Lifelong Learning, with classrooms and workshops geared toward the general public. Also part of this hub are several artist residencies with workshops located in the north tower.

Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow
Interior Museum of Contemporary Art GES-2 Moscow

The recovery of structures

The building's age of more than 100 years, prolonged disuse, and lack of maintenance were the main factors that led to the deterioration of the structures. The most important problems involved the basement floor-where water infiltration had caused damage to the masonry walls-and the above-ground steel structures, which were in an advanced state of deterioration. The steelwork, affected by corrosion, had numerous deformed elements, while some nailed and welded joints were no longer efficient. Redevelopment of the building therefore had to begin with structural consolidation.

Since this stage, the project has followed a conservative approach, aimed at maintaining as much as possible the existing structures, which are considered an integral part of the building's soul. In order to identify and detect defects and degraded structural elements, the intervention was preceded by a comprehensive structural investigation, with specific tests on the different materials, both during the design phase and during the actual dismantling of the existing apparatus, before consolidating and reinforcing the masonry and steel structures.

Construction Site Museum of Contemporary Art GES-2 Moscow
Historical photo interior of Moscow GES-2 thermoelectric power plant
Construction Site Museum of Contemporary Art GES-2 Moscow
Aerial view construction site Museum of Contemporary Art GES-2 Moscow
Construction Site Museum of Contemporary Art GES-2 Moscow
The restoration project was guided by the criterion of conservation, planning interventions aimed at preserving the original image of the power plant and respecting the integrity of the materials already in place, such as masonry, steel, and concrete. The metal trusses were disassembled and subjected to a sandblasting process, also replacing damaged elements that could not be salvaged, checking connections and applying appropriate protective agents. The abutments were reinforced, replacing the lattice elements connecting the C-profiles with steel plates welded to the flanges, in order to increase their rigidity and make them capable of supporting the new roof loads. The masonry was restored by means of cleaning systems, removal of deteriorating elements, filling of joints, and application of waterproofing protective agents.
The chimneys, historic elements of the city skyline, were redesigned respecting the original volumes. They were built with four hollow-section steel spirals and two rows of tie rods. A natural room ventilation system is developed within them through the use of wind turbines at the top.
Prior to the start of construction, a mock-up of the building's roof was conducted, which allowed for in-depth study of the glazing assembly system, the installation of solar panels, and the operation of the stormwater disposal system.
The building, which has achieved LEED Gold certification, is a virtuous example of sustainable design, Every design action, from the rehabilitation of the existing steel structures, to the planting birch forest, through the energy autonomy guaranteed by the large area of solar panels covering the roof, was undertaken with the aim of reducing the environmental impact of the intervention as much as possible.
"The real protagonists of this new space are the people. Today, a new museum model is needed; art spaces must engage."

Teresa Iarocci Mavica, Director, V-A-C Foundation

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