THE CENTRAL PAVILION AT THE GARDENS HAS BEEN RENOVATED

The project goes beyond the concept of conservative restoration.
Each phase of construction was designed to identify the elements that tell its story, bringing out the regular rhythm of the rooms and the simplicity of the original layout.

The tour route has a clear focal point: from the Chini Room, beneath the frescoed dome, visitors enter 3,100 square meters of exhibition space. The white, neutral rooms make it easy to set up exhibitions; these minimalist spaces are designed to take on a new look with each exhibition.

The Pavilion’s new architecture is designed as a unified system in which the structure, natural light, photovoltaic panels, ventilation, and shading work together. Inside the halls, the systems are concealed; ducts, pipes, and mechanical equipment run through the new walls and the roof. Above the halls, a series of trusses supports the new skylights.

Here, two types of glass work together: the photovoltaic glass generates energy, while the diffusing glass distributes light without casting sharp shadows. Some modules open to allow air to circulate, while motorized blinds can darken the rooms. The goal is LEED Gold certification; the protocol measures energy and water consumption, CO₂ emissions, indoor air quality, and material selection.

Surrounding the exhibition halls are the public spaces: a bookstore, a café, an educational room, a multipurpose room, and restrooms, covering a total area of 865 square meters.
The bookstore occupies a long aisle lit from above by a skylight, featuring black bookshelves with red niches.

The café is arranged around a continuous counter, beneath pendant lights, and extends outdoors beneath the rooftop terrace overlooking the Rio dei Giardini.
From May 9 to November 22, 2026, the pavilion will host In Minor Keys, the 2026 Art Biennale exhibition